Gilgamesh seems to have tolerance and in some rare cases soft spot towards children. In Fate/strange Fake, he shows some degree of leniency towards his master Tiné Chelc and takes measures to protect her from harm. He even addresses her by her real name although he initially refers her as "mongrel girl." He also tells her in Uruk, there are many those of Tiné Chelc's age that have already found themselves, showing his respect towards the children of his kingdom. In fact, he is popular among the children of Uruk as shown in Babylonia Singularity, as he plays the Royal Game of UrWP with them and win even though he plays it for the first time, much to their awe. In Fate/hollow ataraxia, he is seen fishing with his children admirers at the Fuyuki Dock, although he good-naturedly calls them mongrels.
In Studio Deen's anime adaption, Gilgamesh appears when Caster offers to spare Shirou if Saber were to also surrender and become her Servant in place of the fallen Assassin. Angered by the thought of Saber being enslaved by a "lowly magician", Gilgamesh intrudes and declares Caster's actions to have been nothing but a fool's gamble and declaring that she did not "know her place". He lightyly muses on how he originally considered just watching things play out, but chose to step in when Caster announced her intent to enslave Saber, something he views as an insult since he views her as his own property. Deeming both Caster and Kuzuki thieves for trying to take what is his (Saber and the Grail), he unleashes a hail of blades from his Gate of Babylon which Caster tries to fend off with a shield. When her shield is broken, Caster and Kuzuki are both torn into by the rain of blades (similar to how Archer did it to her in the Unlimited Blade Works route) and die, the entire temple fading away with its creator now dead. As in the visual novel, Gilgamesh exresses pleasure at seeing Saber again and reminds her of the proposal he made before; mockingly chiding her for "making him wait". Deciding that where they were was not ideal for a proper reunion and that Saber was "not ready yet", he departs with a declaration that they will meet again.
ETERNAL EDEN - Full Latest Version 3.03 [Ready To Play] Pc Game
Download: https://tinurli.com/2vEsoE
Law of Creation (開闢の理?) is his second interlude.[26] Gilgamesh brings Ritsuka and Mash to Angrboda in the London Singularity, saying that he wishes to observe the disposition of its creator. When Mash asks if he meant Makiri, he explains that he lacked the power to create such a device but chooses not to elaborate, saying that no other clairvoyant (including Merlin) wishes to speak of the matter and that revealing what they wished to keep hidden will make their efforts all for nothing. He further states that the creator's obsession warped the Greater Grail, pointing to the ghosts massing around it as proof of its corruption. They fight off the ghosts, culminating in a battle against a Shadow Servant version of Charles Babbage. After defeating it, Gilgamesh tells Dr. Roman and Ritsuka that the obsession he spoke of was that of the enemy who sought to incinerate the history of man, born of foolish hatred. Noticing Mash's confusion, he explains that all action brings forth benefit in some way, but this particular hatred is born from the desire to leave nothing behind. He advises them that when they confront it, they should remember what it is they fight to protect. As they leave, Mash reminds Gilgamesh that they were promised a reward, but he tells them it was already granted and they would see what it was in their next battle.
Gilgamesh is the strongest Heroic Spirit and thus the most powerful existence among the Servants in both the Fourth and Fifth Holy Grail War.[14][27][28][29] While the energy of his soul is worth that of hundreds of thousands of souls, and taking him in is enough to fill a partially-full Lesser Grail even while it lacks several other Servants,[5] Gilgamesh is only as physically strong as Saber or Heracles, if not weaker.[30] The reason Gilgamesh has the advantage over most other Servants in combat is that he is capable of exploiting their weaknesses thanks to possessing the originals of all Noble Phantasms.[1] All Heroic Spirits have things they were weak against in life, their greatest weak points, and he possesses all of the Noble Phantasms ever owned by mankind, including those that killed each hero.[1][31] As a result, he could be called the "Servant Killer".[1] Gilgamesh does not display power as an "individual" soldier, but rather as a "war" that even the strongest soldier could not overcome by himself. Only those who are a "war" themselves will be able to compete against him.[32] In terms of the "firepower" available to him due to the versatility of his weaponry, he can be said to have the strength of "5 Servants + a", a force able to match all the Servants and Masters defending the town in Fate/hollow ataraxia, putting him at an advantage against those like Arcueid Brunestud whose strength is based on the "single entity ability" of the opponent rather than their weaponry.[33][34] Although Gilgamesh possesses overwhelming, cheat-like strength,[29] other servants such as Enkidu, whose combat strength is roughly the same as that of Gilgamesh do in fact exist.[35]
Gilgamesh possesses a tremendously efficient Clairvoyance, taking the form of the Noble Phantasm Sha Naqba Imuru, that allows him to discern heavily concealed truths with a single glance, making him fully capable of reading the True Name and Noble Phantasms of his opponents and he is able to guide others with the most optimal tactics upon releasing his true name, simultaneously increasing the attack and defense power of his entire team. He is extremely perceptive of magecraft, allowing him to see through Caster's fake death and tell the exact number of spells a magus is preparing just by looking at them, as shown by how he effortlessly predicts the exact number of Projections prepared by Shirou, which he went as far as to ask what kind of hero he would be if he could not see through a magus. He is also capable of accurately assessing his opponents' abilities. He would not even consider having a battle of swordsmanship with Assassin, and while he plays around with a weakened Saber in Fate, he immediately backs off from her to avoid hand-to-hand combat during Unlimited Blade Works after she receives a boost in power from her contract with Rin.[46]
GilgameshCharacter Data 011Affiliation:True Identity: GilgameshGender: MaleHeight: 182cmWeight: 68kgImage Color: GoldTalents: RichLikes: Himself, PowerDislike: Himself, SnakesWorst enemy: ArcherOrigin: Ancient MesopotamiaNasu Kinoko & Takeuchi Takashi Discussion>The Catalyst for Gilgamesh's birthNasu: When I was working on old "Fate". I wanted to do a "World Hero Fighting Tournament" and Heracles was there as an obvious pick because he was a well-known hero famous for being the strongest of them all. So then I decided to look for a lesser-known and extremely ancient hero. That's how I came across Gilgamesh. There were other candidates that I considered, but Gilgamesh had a powerful name and an interesting legend, both of which made him perfect for the role of the "ultimate" character. Gilgamesh's general concept hasn't changed much since those days.Takeuchi: True, Gil's been wearing golden armour since old "Fate".Nasu: There's that as well as his ability to dual wield two swords at once. Gil's Noble Phantasm in old "Fate" was totally different from what it was in "stay night", but his role in the story remained the same. The oldest of man's hero kings, decked out in his golden armour and Servant to a priest, Kuzuki's friend.Takeuchi: You mean the guy with the mask?Nasu: You're thinking of Berserker's Master. But anyway, back to the topic... In the "stay night" storyline, Archer was replaced by Emiya and that affected Gil's position. Gil became a boss character and was buffed up considerably. I mean, he was an unquestionably powerful guy to begin with, but he didn't have such utterly terrifying abilities in the old "Fate" days. There are tons of heroes throughout history, but I brought Gil as an entity that is removed from human notions of good and evil. He's like a god or a natural disaster.Takeuchi: Gil went through quite a bit of revamping when he was set to become a boss character, didn't he?Nasu: Yeah, he was always the most extreme example of self-importance, but he didn't stop there. In our story, he was the most obnoxious kind of hero who couldn't seem to help but achieve a completeness at both ends of the spectrum. The decision to pursue "evil" resulted in him also achieving the epitome of "good," and vice versa. But when you look at him from a historical point of view, you can't help but admit that this guy was quite possibly the greatest leader of all time. I felt like I had reached the level of confidence I needed about Gil's character hen I came up with the idea to use one specific form of the personal pronoun "I" in written text, while having him speak a different form of it orally. The written form was suggestive of a formal person of grand importance, like a king, while the spoken version was more bratty and self-righteous. I felt like this self-contained paradox served as a subtle hint regarding Gil's personality.Takeuchi: Yeah, that thing you did with the personal pronoun summed up his entire character concept.Nasu: I'm sure it's been done a million times over by now, but I think it was a relatively new idea at the time.>Designing Gilgamesh's outfits and armamentsTakeuchi: Koyama led the way for Gilgamesh's armour design.Nasu: The infamous armour design that reduced countless staff members to tears. (laughs)Takeuchi: In three dimensions, it was a super complicated design. Of course, I think it was a great contrast to Saber's extremely simple armour design.Nasu: We'll just ignore all the naysayers who ask questions like "Isn't gold a rather soft metal for armour?" or "Why is his whole body decked out in terms of protection, yet he doesn't wear a helmet?" (laughs)Takeuchi: I was the one who designed his casual clothes. I was originally planning to go with something flashier. People who played "hollow" might know what I'm talking about.Nasu: Yeah, we toned it down because I thought it was a bit over the top for "Fate".Takeuchi: Though I'm still not sure if we got it quite right...Nasu: To be honest, we didn't actually have a design concept prepared for Gil's clothes. But then there was that scene at the beginning of the game where Gil converses with Sakura, and that other scene in the latter half of Saber's route where Shirou and the others encounter him. Considering the settings for those encounters, we couldn't very well have Gil popping up in his full suit of shiny golden armour shouting "Halt!" or whatever, because the reaction he'd get would probably just be laughter rather than apprehension. That's when I turned to Takeuchi and said, "I think he needs some casual clothes."Takeuchi: Figuring out casual outfits for the servants was always tricky. We couldn't go with anything too crazy, but putting them in really mundane clothes would take too much away from the fact that they are special characters. Once the concepts for the other characters started getting hammered out, we reviewed the overall balanced and decided that Gil's early clothing design had to be nixed.Nasu: What material was used for Gil's clothes? Leather?Takeuchi: I guess. I looked through a lot of fashion magazines for inspiration, but sometimes the look of something changes entirely when translated into illustrations. I feel like I failed to accurately reproduce the image I had in my mind of Gil's clothes.>Sakura and GilgameshTakeuchi: What were Gil and Sakura talking about at the beginning of the game, anyway?Nasu: Gil knew about Sakura being tainted by Angra Mainyu, so he was telling her "I've seen countless females like you before. You are an annoyance and should die now." These words weren't spoken in anger or hatred, though, and are probably the closest Gil would ever come to expressing mercy. He was just letting her know that things would be easier for her if she died before anything terrible happened to her.Takeuchi: So he was looking out for someone other than himself? That's interesting... but only someone like him could have such a heavy conversation in the middle of the street like that.Nasu: Yeah, if you actually think about it, what does it say about him that a casual stroll down the street could lead to "You there! Woman! Kill yourself now." (laughs)Takeuchi: For such a powerful character, he did lose to Sakura rather easily.Nasu: Gil lost to Sakura so easily because he let his guard down. What's a king without complacency, right? I think the biggest factor, though, was a simple question of their respective natures. Gil was pretty much invulnerable against Servants because he was the "Killer of Heroes", while Dark Sakura was the "Devourer of Heroic Spirits", which extends to Servants.Takeuchi: Buuut... Gil acquired a flesh-and-blood body for himself, so doesn't that mean he's technically not a servant anymore?Nasu: It doesn't matter because he got his new body through the Holy Grail system, which means he can't deny the power of Dark Sakura, who is a manifestation of the Holy Grail itself. On another note, Gil's magical powers were off the charts in his flesh-and-blood form, so absorbing that level of power broke the dam and caused Sakura to fall apart.>The message Gilgamesh carries as a characterNasu: I think everything I wanted to say with Gilgamesh is pretty well summarised in the whole pronoun gimmick I mentioned earlier. Even though he is not one to be tied down by notions like morality or decency, he does have a sort of system that guides his actions and conduct.Takeuchi: I do feel like Gil is just one big walking, talking misunderstanding.Nasu: Another thing about Gil is that something as simple as his hairstyle can vastly change the impression he gives off. In Saber's route, Gil's hair is slicked back to give his look a more violent touch, but the rest of him was designed so that merely letting his hair down would give him a look like your average main character. I wanted Gil to portray these characteristics because the "real" Gil from the legends was more laid back like the latter example. I asked Takeuchi to bring back the old Arthur design to help with creating the "hair down" version of Gil. Just let his hair loose and Gil could easily pass as the main character! 2ff7e9595c
Kommentare